Okay, y’all, what key are we singing this thing in? Because I think I just burst an eardrum.
I sing with the praise band at our church’s contemporary service and I love it. There are some super talented people there, but they’ve made room for those of us who are more in the normal talented range which I truly appreciate. I’ve loved music all my life, and I’ve spent a big chunk of it singing with groups. Let me tell you this: the key matters.
I started my not-quite-illustrious singing career dabbling as a second soprano – that’s the one who sings the high part but not the stratospheric, breaking glass high part. Over the years my register just kind of dropped into the alto range, so now songs that are relatively low feel like slipping into soft, comfy slippers. Singing in the lower octave is my first choice every single time.
So can someone please explain why Christmas carols are written in a key for Mickey and Minnie Mouse? Those things are so freaking high there’s an 87% chance I’ll pass out by the time we hit the fourth verse. Because all those songs have a bajillion verses with stratospheric notes and close to zero opportunities to take a deep breath – well, let’s just say it wasn’t unheard of for me to put my head between my knees after a particularly lengthy practice rendition of Handel’s ‘Hallelujah Chorus’ back in my soprano days.
Give me those sweet low registers and I’m a happy girl.
Linda hosts Stream of Consciousness Saturday. This week’s prompt is “key.” Use it any way you’d like. Have fun!
I used to be first soprano and am now second, so I get that bit. Don’t the altos basically murmur through Christmas songs? Is that my poor perspective?
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These do seem to be rather pleasant undertone parts — some have an entire line composed of one low note over and over. Considering what weird parts we sing the rest of the year I’m happy for the break!
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Oh good 🙂
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All I can say is that those of us in the pews appreciate those of you who know what a key is and practice.
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Bwahahahaha!! My hubby is one of those. Singing with him and his family is an exercise in who has the strongest willpower when it comes to staying on pitch. 😉
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My range used to be a lot better, too. I’ve always been an alto, but could do soprano in a pinch getting the high notes from somewhere in the back of my throat. In college there weren’t enough men, so me and one other woman sang tenor. Now, I don’t even try the really high notes and let the sopranos carry those. Still, I’m thankful we can keep on singing in the soft comfy slippers.
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So true. My favorite part is when our leader asks me to take a solo and I’m like umm, not seeing it, that thing is SUPER high and he’s all *you can do it! just use an airy voice!* There’s no sort of airiness that will get me through some of those notes. 😳
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I enjoyed signing in groups too from Glee club to church choir but it was been so many years I’ve lost count. Pretty sure once an alto always an alto. Some of my most favorite memories are signing the harmony part of Christmas carols. Silent Night in particular. My brother telling me you’re singing it wrong!! as I practiced by myself purposefully loud to drive him crazy.
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Harmony parts are the best!! Once you embrace alto the other stuff just seems boring. 😉
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I think being able to sing those really high notes is a requirement for getting into a convent. Every nun I knew in grammar school sang in that range.
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Shoot, isn’t that the truth. Those songs can break glass.
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This made me laugh. The village choir are due to do the knock on doors tour of the village. They sing so high they are barely audible yet they hurt my ears.
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Oh my, yes, the door to door carolers here sing at a pitch that drives the dogs mad. It’s hard to smile while my head is pounding. 😉
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